شعائر الصلاة في ضوء رسوم المستشرقين دراسة فنية تحليلية (13هـ/19م) THE PRAYER RITUALS IN THE LIGHT OF ORIENTALISTS’ PAINTINGS: AN ARTISTIC ANALYTICAL STUDY (13 H/19 A.D C.)

Radwa Omar, A. Mahmoud, Esraa Elhaddad
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Abstract

Orientalists’ paintings consider one of the most important historical pieces of evidence that depicted the East through western eyes; due to these paintings, many documentary records preserved before the invention of modern photography methods. The curiosity to reveal the secrets and marvels of the Islamic civilization and the East, played a crucial role in orientalists' paintings which recorded different aspects of life in the eastern Islamic world, especially the religious rituals. Orientalists’ paintings highlighted the practice of the Muslims’ prayers in a wide diversity of approaches, they painted the muezzin, the call for the prayer, and they represented both individual and congregational prayers in different positions, invocations, and glorifications after the prayers. Between the 18 th and 19 th centuries, European orientalists adopted intense realism in prayers paintings, where they were able to combine and represent both religious and secular aspects in their paintings. paintings, while shedding the light on their role in portraying and documenting Muslim prayers’ rituals, in a descriptive and analytical study detailing the artistic features and the architectural elements represented in their paintings.
东方学家的绘画认为通过西方人的眼睛描绘东方的最重要的历史证据之一;由于这些绘画,在现代摄影方法发明之前,许多文献记录得以保存。揭示伊斯兰文明和东方的秘密和奇迹的好奇心在东方学家的绘画中发挥了至关重要的作用,这些绘画记录了东方伊斯兰世界生活的各个方面,特别是宗教仪式。东方主义者的绘画以多种多样的方式突出了穆斯林祈祷的实践,他们画了宣礼筒,祈祷的召唤,他们在不同的位置、祈祷和祈祷后的荣耀中表现了个人和集体的祈祷。在18世纪和19世纪之间,欧洲东方学家在祈祷画中采用了强烈的现实主义,他们能够在他们的画中结合并表现宗教和世俗的方面。绘画,在揭示他们在描绘和记录穆斯林祈祷仪式方面的作用的同时,通过描述性和分析性的研究,详细介绍了他们绘画中所表现的艺术特征和建筑元素。
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