“Context collapse” on a small island

R. Moore
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引用次数: 37

Abstract

Commentators and analysts in new media studies have taken inspiration from Goffman’s ‘dramaturgical’ approach to interaction as performance, as well as his concepts of ‘face’ and ‘impression management’. Goffman is specifically invoked in discussions of a particular source of interactional trouble that is seen as generated in and by the structure of mediated communication in digital spaces: so-called “context collapse.” Context collapse represents “a crisis of self-presentation” (Wesch, 2008) that is brought about by the ability of digital platforms like Twitter and Facebook to “flatten multiple audiences into one” (Marwick & boyd, 2010, p. 9). Returning to Goffman’s unpublished PhD dissertation (Goffman, 1953) – based on fieldwork on the remote island of Unst in the Shetlands – presents an opportunity to understand more fully both the online phenomenon of “context collapse” and the promise and limitations of Goffman’s work for the study of interaction in digital environments.
一个小岛上的“语境崩溃”
新媒体研究的评论员和分析人士从戈夫曼将互动作为表演的“戏剧”方法,以及他的“面孔”和“印象管理”概念中获得了灵感。Goffman在讨论互动问题的特定来源时被特别引用,这种问题被认为是在数字空间中中介沟通的结构中产生的,即所谓的“语境崩溃”。情境崩溃代表了“自我呈现的危机”(Wesch, 2008),这是由Twitter和Facebook等数字平台“将多个受众扁平为一个”的能力带来的(Marwick & boyd, 2010, p. 9)。回到戈夫曼未发表的博士论文(戈夫曼,1953)——基于在设得兰群岛偏远的昂斯特岛的实地考察——提供了一个机会,让我们更全面地理解“语境崩溃”的在线现象,以及戈夫曼在数字环境中研究互动的工作的希望和局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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