The Paris Opera Ballet Dancing Offstage

T. Nunn
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Abstract

The spaces in which amateur and professional dancers practiced their art greatly changed during the Covid-19 pandemic due to the closures of theaters and dance studios, yet dance continued to bring people together online. This article studies the media presence of the Paris Opera Ballet (POB) between March 2020 and May 2021 to analyze how the aesthetic and moral concept of grace has evolved. During this difficult year, dance took on a therapeutic role as POB dancers offered free online classes and performed in video work, in addition to taking on a political role as discussions about racism in ballet sparked public debates.
巴黎歌剧院芭蕾舞团舞台下的舞蹈
在2019冠状病毒病大流行期间,由于剧院和舞蹈工作室的关闭,业余和专业舞者练习艺术的空间发生了很大变化,但舞蹈继续将人们聚集在一起。本文研究了巴黎歌剧院芭蕾舞团(POB)在2020年3月至2021年5月期间的媒体存在,以分析优雅的审美和道德观念是如何演变的。在这艰难的一年里,舞蹈扮演了治疗的角色,因为POB舞者提供免费的在线课程,并在视频作品中表演,此外,舞蹈还扮演了政治角色,因为关于芭蕾舞中的种族主义的讨论引发了公众的争论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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