Queer Trash

Charles Eppley
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Abstract

“Queer Politics & Positionalities in Sonic Art” series editor Charles Eppley speaks with Michael Foster and Richard Kamerman of Queer Trash, a curatorial platform based in New York City that features experimental art, music, and performance by LGBTQ2S+ artists. They discuss the concepts of queer sound and listening, methods of improvisation, queer identity and expression, tokenization and exploitation, DIY culture, and the limits of arts funding for queer sonic artists.
奇怪的垃圾
“声音艺术中的酷儿政治与立场”系列编辑Charles Eppley采访了酷儿垃圾的Michael Foster和Richard Kamerman,酷儿垃圾是一个位于纽约市的策展平台,以LGBTQ2S+艺术家的实验艺术、音乐和表演为特色。他们讨论了酷儿声音和聆听的概念,即兴创作的方法,酷儿的身份和表达,标记化和利用,DIY文化,以及酷儿声音艺术家的艺术资助限制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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