The Harlem Renaissance

William F. Pinar
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Abstract

This course is designed to explore the socio-political environment and evolution of AfroAmericans as reflected in the literature of the Harlem Renaissance (1919 – 1939) in drama, fiction, poetry and other forms of artistic expression. Students will study the relation of the various changes taking place on the social and political scenes during the first four decades of the twentieth century. The birth of the “New Negro,” the impact of Black Art and Music first in Europe and in the United States will be treated through its literature of justification/revolt or literature of racial/ethnic promotion, cultural awareness and identity. The course will compare the works of key figures of the Harlem Renaissance such as Claude McKay, Counte Cullen, Langston Hughes, Jean Toomer and of those undertaken by the writers of “lost generation,” such as Hemingway and Fitzgerald. New themes and forms developed by the Renaissance writers and their influence on succeeding generations will be studied.
哈莱姆文艺复兴
本课程旨在探讨哈莱姆文艺复兴时期(1919 - 1939)在戏剧、小说、诗歌和其他形式的艺术表现中所反映的非裔美国人的社会政治环境和演变。学生将学习二十世纪前四十年社会和政治场景中发生的各种变化之间的关系。“新黑人”的诞生,黑人艺术和音乐首先在欧洲和美国的影响将通过其辩护/反抗文学或种族/民族促进文学,文化意识和身份来处理。这门课程将比较哈莱姆文艺复兴时期重要人物的作品,如克劳德·麦凯、库伦伯爵、兰斯顿·休斯、让·图默,以及“迷惘的一代”作家的作品,如海明威和菲茨杰拉德。文艺复兴时期作家发展的新主题和形式及其对后世的影响将被研究。
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