{"title":"Continuously signal-adaptive filterbank for high-quality perceptual audio coding","authors":"J. Herre, J. Johnston","doi":"10.1109/ASPAA.1997.625588","DOIUrl":null,"url":null,"abstract":"Historically, the choice of the optimum filterbank has been the subject of much research and discussion in the development of perceptual audio coders. Desirable properties of a good filterbank include both a good extraction of the signal's redundancy and effective utilization of that redundancy while maintaining control over perceptual demands. Often, there is a conflict between the use of perceptual constraints and the redundancy extraction, in that a filterbank with good resolution in both time and frequency is needed. Recently, a method for performing temporal noise shaping (TNS) of the error signal of a perceptual audio coder has been proposed, providing control over both the time and frequency structure of the coding noise. This paper focuses on the core part of the scheme, forming a continuously adaptive filterbank, and discusses its theoretical background, properties and limitations.","PeriodicalId":347087,"journal":{"name":"Proceedings of 1997 Workshop on Applications of Signal Processing to Audio and Acoustics","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1997-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"27","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of 1997 Workshop on Applications of Signal Processing to Audio and Acoustics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ASPAA.1997.625588","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 27
Abstract
Historically, the choice of the optimum filterbank has been the subject of much research and discussion in the development of perceptual audio coders. Desirable properties of a good filterbank include both a good extraction of the signal's redundancy and effective utilization of that redundancy while maintaining control over perceptual demands. Often, there is a conflict between the use of perceptual constraints and the redundancy extraction, in that a filterbank with good resolution in both time and frequency is needed. Recently, a method for performing temporal noise shaping (TNS) of the error signal of a perceptual audio coder has been proposed, providing control over both the time and frequency structure of the coding noise. This paper focuses on the core part of the scheme, forming a continuously adaptive filterbank, and discusses its theoretical background, properties and limitations.