NEOLIBERALISM AND THE CONSTRUCTION OF THE CREATIVE SUBJECT

Leonardo Roman Ultramari, Luciano da Costa Nazario, B. Pacce, Eduardo Teixeira Martins
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Abstract

Abstract: This article aims to problematize the position of the “creative subject” category in contemporary times, as well as its relations with the standards established by market practices. Two media discourses were analyzed, one uttered in the Saia Justa (GNT) TV show and the other in a commercial from the Shark Tank (ABC) TV show, both of them focused on creativity and entrepreneurship in the context of the COVID-19 pandemic. The analysis methodology was based on the French approach of Discourse Analysis. The results show a creative subject built from a neoliberal mechanism that (a) discursively silences the inequality-universality contradiction; (b) assigns value to creativity (and to the creative subject) based on the market logic (expenditure and competition); and (c) through the process of interpellation, induces the subject to identify him/herself with this neoliberal Other and regulate his/her creative volitions based on it.
新自由主义与创造性主体的建构
摘要:本文旨在探讨“创作主体”这一范畴在当代的地位,以及它与市场实践所确立的标准的关系。研究分析了两种媒体话语,一种是在Saia Justa (GNT)电视节目中发表的,另一种是在Shark Tank (ABC)电视节目中的广告中发表的,这两种话语都集中在COVID-19大流行背景下的创造力和创业精神。分析方法以法国语篇分析方法为基础。结果显示,一个创造性的主题建立在一个新自由主义机制,它(a)话语沉默不平等-普遍性矛盾;(b)根据市场逻辑(支出和竞争)赋予创造力(和创造主体)价值;(c)通过质询的过程,诱导主体将自己与这个新自由主义的他者认同,并以此为基础规范自己的创造意志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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