Review of Hugh Ross Williamson, Charles and Cromwell (London: Duckworth, 1946)

M. Wight
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Abstract

Wight notes that Williamson’s account of the English Civil War follows ‘the romantic view of history’ as ‘the relationship or interaction of characters’ in sometimes tragic circumstances. Williamson ‘shows a good dramatic sense’, Wight observes, in his narrative of events involving Cromwell and King Charles I of England; but the book fails to show insight on ‘the deeper dialectic of conservative and revolutionary psychology. It illuminates neither the particular clash between the Anglicanism of the King and the Independency of the Lieutenant-General, nor the general problem of political morals in a revolutionary situation.’ Cromwell and Charles were both ‘compelled to political methods which in private circumstances they would have condemned’. Owing in part to Williamson’s ‘life-long Cromwellian fervour’, the book does not attain ‘a high level of political literacy’, nor does it demonstrate deep discernment about the history of these conflicts.
《休·罗斯·威廉姆森、查尔斯和克伦威尔评论》(伦敦:达克沃斯出版社,1946年)
怀特指出,威廉姆森对英国内战的描述遵循了“浪漫的历史观”,即“人物之间的关系或互动”,有时是悲惨的环境。怀特认为,威廉姆森在叙述克伦威尔和英王查理一世的事件时,“表现出了很好的戏剧感”;但是,这本书未能展现出“保守和革命心理之间更深层次的辩证关系”。它既没有说明英王的国教与中将的独立之间的特殊冲突,也没有说明革命形势下政治道德的一般问题。克伦威尔和查理都被迫采取了他们私下会谴责的政治手段。部分由于威廉姆森“毕生对克伦威尔的狂热”,这本书没有达到“高水平的政治素养”,也没有对这些冲突的历史表现出深刻的洞察力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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