“Nobody Is Ever Alone”: The Use of Social Media Narrative to Include the Viewer in SKAM

Jill Walker Rettberg
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引用次数: 2

Abstract

This paper analyses the way that the popular Norwegian television and web series SKAM (2015-17) included viewers in the narration. There has been a recent interest in narratives that use the third person plural voice (“we-narratives”) in print literature. This paper takes this narrative research and connects it to transmedia and social media storytelling, arguing that the we-narrative is characteristic of the digital vernacular of social media, which has accustomed us to narratives that are collective in nature. In SKAM, the narrative we is established by visual and narrative emphasis on the group, and the audience is included in this we through a storyworld that mirrors the audience’s world, using social media and temporality, and explicitly in the focalisation of the final scene of the show.
“没有人是孤独的”:利用社交媒体叙事将观众纳入SKAM
本文分析了挪威流行的电视和网络连续剧《SKAM》(2015-17)将观众纳入叙事的方式。近年来,人们对印刷文学中使用第三人称复数语态(“我们叙述”)的叙述产生了兴趣。本文将这种叙事研究与跨媒体和社交媒体叙事联系起来,认为自叙事是社交媒体数字白话的特征,它使我们习惯于集体叙事。在《SKAM》中,叙事we是通过对群体的视觉和叙事强调来建立的,观众通过一个反映观众世界的故事世界被包括在这个we中,使用社交媒体和时间性,并明确地集中在节目的最后一幕。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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