Medha Dalal, Adam R. Carberry, Derek Warmington, Richard Maxwell
{"title":"A Case Study Exploring Transfer of Pedagogical Philosophy from Music to Engineering","authors":"Medha Dalal, Adam R. Carberry, Derek Warmington, Richard Maxwell","doi":"10.1109/FIE44824.2020.9274128","DOIUrl":null,"url":null,"abstract":"This Research Work in Progress paper presents a case study that demonstrates how a secondary school teacher with a non-STEM background identifies parallels between the engineering design process and music creation to embrace teaching an engineering course for the first time. Multiple interviews and classroom observations were open coded using a two-cycle coding approach to reveal four themes: overcoming imposter syndrome, connections between engineering and music, challenges encountered, and changes in practice. These themes highlight the processes involved in transferring a pedagogical philosophy that can inform future efforts to explore the necessary preconditions for bridging seemingly disparate and unconnected content areas. Further exploration building on these findings will inform efforts to broaden the pool of teachers capable of teaching pre-college engineering classes.","PeriodicalId":149828,"journal":{"name":"2020 IEEE Frontiers in Education Conference (FIE)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"2020 IEEE Frontiers in Education Conference (FIE)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/FIE44824.2020.9274128","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
This Research Work in Progress paper presents a case study that demonstrates how a secondary school teacher with a non-STEM background identifies parallels between the engineering design process and music creation to embrace teaching an engineering course for the first time. Multiple interviews and classroom observations were open coded using a two-cycle coding approach to reveal four themes: overcoming imposter syndrome, connections between engineering and music, challenges encountered, and changes in practice. These themes highlight the processes involved in transferring a pedagogical philosophy that can inform future efforts to explore the necessary preconditions for bridging seemingly disparate and unconnected content areas. Further exploration building on these findings will inform efforts to broaden the pool of teachers capable of teaching pre-college engineering classes.