Il miracolo del nuovo e l'enigma del diverso, ovvero come evitare il successo artistico ed essere felici: Boris Groys e John Cage

Leonardo V. Distaso
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Abstract

The logic of inclusion and exclusion in the art system of objects and images which have been produced in the sphere of everyday life, is the basis of the logic of the “new”. The entry of these objects into museums, as well as the entry of some operations into the concert halls, is not a loss, but the possibility that the “new” is realized in a difference beyond the difference, examples of which are both in the sublimation of the banal (Cage) and in the museumization of the common object (Duchamp).
新事物的奇迹和新事物的谜——如何避免艺术上的成功和快乐——鲍里斯·格罗伊斯和约翰·凯奇
在日常生活中产生的物体和图像的艺术系统中,包容和排斥的逻辑是“新”逻辑的基础。这些物品进入博物馆,以及一些操作进入音乐厅,并不是一种损失,而是“新”在超越差异的差异中实现的可能性,其中的例子既在平庸的升华(凯奇)中,也在普通物品的博物馆化(杜尚)中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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