TREATMENT OF THE VIRGIN MARY ICON OF THE PAINTER ANASTASI AL QUDSI AL RUMI DATING BACK TO 19TH CENTURY IN EGYPT

Emil Henin, Mervat Abdallah, Amany Kaiser
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Abstract

The present paper is intended to be a first part of a study on the restoration of the Virgin Mary icon in the Mary Church at the Menoufia Governorate in Egyptian Delta. This icon dating to 19 th century and painted by famous painter in this period, Anastasi Al Qudsi Al Rumi who was responsible for the greater part of icons production in the middle of the 19 th century in Egypt. Very valuable information is obtained both about the damage of the varnish layer in the paint surface due to the surrounding environment (Church wax, soot and tar, in place where icon lamps and candles are lit close by) and about the state of preservation of the icon. Finally, this paper is devoted to describing the Conservation process of this icon through different steps such as (Consolidation, Cleaning, Filling, Retouching, Varnishing).
对19世纪埃及画家anastasi al qudsi al rumi的圣母玛利亚图标的处理
本论文的目的是在玛丽教堂在梅努菲亚省在埃及三角洲圣母玛利亚图标的恢复研究的第一部分。这个图标可以追溯到19世纪,由这一时期的著名画家Anastasi Al Qudsi Al Rumi绘制,他负责19世纪中期埃及大部分图标的制作。由于周围环境(教堂的蜡、烟灰和焦油,在附近点燃的圣像灯和蜡烛),以及圣像的保存状况,我们获得了关于油漆表面清漆层损坏的非常有价值的信息。最后,本文通过不同的步骤描述了这个图标的保存过程,如(巩固,清洁,填充,修饰,清漆)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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