Ar-Rasm al-Utsmany wa `Asrāruhu al-Kitābiyyah (Dirāsah fī Kalimatay "Imra`ah wa Imra`at")

Hairuddin Hairuddin
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Abstract

  This research came to reveal the aspect of a hidden miracle and a hidden secret in writing some Qur’anic words that began to be drawn during the era of the Companions, may God be pleased with them. This research is based on the descriptive approach, by returning to the library study with a review of heritage books, Qur’ans, manuscripts, and modern scientific research. The research indicates to prove the relationship between drawing and meaning, and that the word "woman" was mentioned with ta’ Marbutah is an indication of the limitedness, with the complete connection between the two parties proven, that is, the husband and the wife. And the wife of Noah, and the wife of Lot. The reason for the incompatibility and complete harmony in them is either one of them has died her husband, such as: Imran's wife, or she does not love her husband, as happened in the dear woman, or the contradiction in belief, as happened in the wife of Noah, the woman of Lot, and the woman of Pharaoh. 
这项研究揭示了一些古兰经文字中隐藏的奇迹和秘密,这些古兰经文字是在同伴时代开始绘制的,愿真主对他们感到高兴。这项研究是基于描述性的方法,通过回顾遗产书籍,古兰经,手稿和现代科学研究,回到图书馆研究。研究表明,为了证明绘画与意义之间的关系,“女人”一词与ta ' Marbutah一起提到是一种局限性的表示,证明了双方之间的完全联系,即丈夫和妻子。挪亚的妻,罗得的妻。他们之间的不相容和完全和谐的原因要么是其中一个死了她的丈夫,比如伊姆兰的妻子,要么是她不爱她的丈夫,就像发生在亲爱的女人身上的那样,或者是信仰上的矛盾,就像发生在诺亚的妻子、罗得的女人和法老的女人身上的那样。
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