Mantle of Mindscape; Cocoon for Creativity… an art studio

Saroj Bajracharya
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Abstract

When we contemplate on one particular motif that artists have depicted the most through the ages in their artworks, human anatomy spontaneously comes to mind. However, there is one component the artists have incorporated in their artworks more than human anatomy and that is the space. Be it abstract, figurative or realistic, without space art cannot exist. Science and technology show that humans have taken a giant leap in terms of their progress and advancements. Earth is getting smaller by the second and the land it provides is never enough. However, we have learnt tricks to multiply it. The horizontal landscapes are getting occupied with vertical houses and skyscrapers. We need more space. And in all this concrete haphazard urbanizations, what does space means for an artist? The internal space which is cultivated from imaginations and memories and the external space that s/he greatly wants to balance with the internal, it all is indeed a gigantic metaphorical continuum. They perhaps need solitude, to reconcile with this idea of the space that has come into being from the unification of the internal and the external. And yet again, through the ages, they have been getting hold of themselves in a very important space which they call their studio. A brief comparative observation here attempts to unfold how art studios down the line has evolved with changing times in the west and more importantly in Nepal.
Mantle of Mindscape;Cocoon for Creativity,一个艺术工作室
当我们思考艺术家们在他们的艺术作品中描绘得最多的一个特定主题时,人体解剖学自然而然地出现在脑海中。然而,艺术家们在他们的作品中融入了一个比人体解剖更多的组成部分,那就是空间。无论是抽象的、具象的还是现实的,没有空间的艺术是不可能存在的。科学技术表明,人类在进步和进步方面取得了巨大的飞跃。地球每一秒都在变小,它提供的土地永远不够用。然而,我们已经学会了乘法的技巧。水平的景观被垂直的房屋和摩天大楼所占据。我们需要更大的空间。在所有这些具体而随意的城市化中,空间对艺术家来说意味着什么?从想象和记忆中培养出来的内部空间,以及他/她非常想要与内部平衡的外部空间,这一切确实是一个巨大的隐喻连续体。他们也许需要独处,以适应这种内外统一而产生的空间观念。再一次,这些年来,他们一直在一个非常重要的空间里控制自己,他们称之为工作室。这里有一个简短的比较观察,试图揭示在西方,更重要的是在尼泊尔,艺术工作室是如何随着时代的变化而发展的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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