Negotiating the Subtle Encounters

Annie Anawana Haloba Hobøl
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Abstract

When I started writing this article, the coronavirus disease (COVID-19) pandemic had not yet hit the world as it has now. However, even if there is evidence that by November of 2019, China had already registered cases of the carnivorous virus, the world was barely prepared to tackle the situation. Now nearly every part of the world is affected, without a cure, the only way to prevent the pandemic is by avoiding contact with other people “social distancing” or home quarantine and isolation. Countries have had to lock down, but in the most impoverished environments, how does one social distance or practice a self-imposed quarantine, when 12 people live in a two-roomed house. How does a community social distance when they are hungry, and there are scarce food products. Social distancing or isolation becomes an illusion in these environments with volatile economies. How do we reflect on this magnitude of an apocalyptic nature? How do we respond, what does Art do?
协商微妙的接触
当我开始写这篇文章的时候,冠状病毒病(COVID-19)还没有像现在这样席卷全球。然而,即使有证据表明,到2019年11月,中国已经登记了肉食性病毒病例,世界也几乎没有准备好应对这种情况。现在世界上几乎每个地方都受到影响,没有治愈方法,预防大流行的唯一方法是避免与其他人接触“社会距离”或家庭隔离和隔离。各国不得不采取封锁措施,但在最贫困的环境中,当12人住在一间两室的房子里时,一个人如何保持社交距离或实行自我隔离?一个社区在饥肠辘辘,又有稀缺的食品时如何保持社交距离。在这些经济不稳定的环境中,保持社会距离或孤立成为一种幻觉。我们该如何反思这种启示录性质的严重性呢?我们如何回应,艺术做了什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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