THE HEAT UNIT TYPES AND THE FIRING TEMPERATURE IN THE PEOPLE OF ROMNY CULTURE

Yurii Puholovok
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Abstract

The paper deals with the firing process of Romny culture ceramics. One of the key operations in the manufacture of pottery is the thermal effect on it. Firing is the last stage in pottery production when ceramics acquire the necessary physical properties and become suitable for use in various household needs. Analysis of the source and the results of interdisciplinary research allows us to identify the thermal facilities used for this process. It is also possible to determine the firing temperature of handmade pottery. It can be argued that Siverians handmade pottery burned mainly in fires and kilns. Ordinary household stoves were not used for this purpose. The firing was carried out mainly without temperature exposure, for a short time, at low temperatures. This assumption is supported by the color of the shard at the break, as well as the presence of organic matter traces or unmelted prints of organic on ceramic. Despite the fact that clay products were burned at relatively low temperatures during the period under study they were used in everyday life. The firing temperature of Romny culture ceramics had limits between 450 and 550 °С, in some cases reaching 600—800 °С. The use of pottery kilns had to be followed by a special firing regime. The time of their appearance probably lies within the 9th century, but this date needs to be clarified. Somewhat later, in the 10th century two-chamber kiln structures appeared on the Siverians settlements. The spread of such kilns is associated with the influence of the Khazar Khaganate population. The appearance of special kilns indicates a certain increase in economic and production potential, which leads to the beginning of the allocation of pottery in a separate branch of the craft.
罗姆文化人的热单位类型和烧制温度
本文对罗姆文化陶瓷的烧制工艺进行了研究。制陶的关键工序之一是对其进行热效应处理。烧制是陶器生产的最后一个阶段,此时陶瓷获得了必要的物理性质,并适合于各种家庭需要。对来源和跨学科研究结果的分析使我们能够确定用于该过程的热设施。手工陶器的烧制温度也是可以测定的。可以说,西维利亚人的手工陶器主要在火和窑中燃烧。普通的家用炉灶不用于此目的。烧制主要是在低温下进行的,没有温度暴露,时间很短。这一假设得到了破碎碎片颜色的支持,以及有机物质痕迹或陶瓷上未熔化的有机印迹的存在。尽管粘土制品在研究期间是在相对较低的温度下燃烧的,但它们却在日常生活中使用。罗姆尼文化陶瓷的烧制温度限制在450至550°С之间,在某些情况下达到600-800°С。陶器窑的使用必须遵循一种特殊的烧制制度。它们出现的时间可能在9世纪,但这个日期需要澄清。稍晚一些,在10世纪,两室窑结构出现在西维利亚人定居点。这种窑的传播与可扎尔可汗国人口的影响有关。特殊窑的出现表明经济和生产潜力的一定增加,这导致陶器开始在一个单独的工艺分支中分配。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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