The Metaverse of History and Spirit: On the Metaverse Schema of Literature in the New Era

Wang Qiushi
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Abstract

The Metaverse and literary creation have formed a distinct identity and connection at the level of overall ethics, both of which are based on human’s true perception of the world and explore and present the essence of the world and life. In Chinese literature of the new era, the creative practice of Mo Yan, Yan Lianke, and other writers has shown the pattern of the Metaverse. Mo Yan and other writers have constructed a deconstructive historical model with the elements of desire, life, and unconsciousness as the core, highlighting the disordered and nihilistic nature of history, while Yan Lianke and other writers have created the morbid and alienated picture of the human spiritual world with the two narrative models of “prison” and “dream”. Because the works of the above-mentioned writers often show the characteristics of serialization, intertextuality, large volume, and multi-direction, they have formed the historical Metaverse and the spiritual Metaverse of literature in the new era, which is full of allegorical criticism and reflection on reality and expresses the writers’ deep anxiety and infinite compassion for the current situation.
历史与精神的元世界——论新时期文学的元世界图式
虚拟世界与文学创作在整体伦理层面上形成了鲜明的同一性和联系,两者都是以人对世界的真实感知为基础,探索和呈现世界和生命的本质。在新时期的中国文学中,莫言、阎连科等作家的创作实践呈现出元宇宙的格局。莫言等人构建了以欲望、生命、无意识为核心的解构主义历史模式,突出了历史的无序性和虚无性;阎连科等人则以“监狱”和“梦”两种叙事模式,塑造了病态异化的人类精神世界图景。由于上述作家的作品往往呈现出连载性、互文性、大体量性、多方位性等特点,形成了新时期文学的历史元域和精神元域,充满了对现实的讽喻批判和反思,表达了作家对现状的深切焦虑和无限悲悯。
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