Ethnomathematics: Exploration of Mathematics and Cultural Values in the Performing Arts of the Sasak Tribe Perisean

Lalu Muhammad Fauzi, N. Hayati, M. Gazali, Asrizal Fauzi
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引用次数: 4

Abstract

Perisean art developed since the 13th century according to existing history, which started with a ritual to ask for rain when there was a long dry season which resulted in a famine. Perisean art performances are currently used as mere agility art performances. Pepadu is a term for players or fighters. The show is led by three referees, one pekembar tengaq (middle referee) who is in charge of leading the fight and two pekembar sedi (side referee) who is in charge of determining each pepadu. Perisean art is not only studied in the form of art but can also be studied as a form of contextual learning in mathematics. Thus, this study aims to explore the forms of mathematics and cultural values contained in the performing arts of perisean which can later be used as a source of contextual mathematics learning. This research is a qualitative research using ethnographic method. The informants used are traditional figures, pepadu, and cultural experts who understand the art of perisean , documentation and field notes. The findings show that in the performing arts of perisean in the tradition of the Sasak people there are mathematical ideas, namely geometric shapes found in perisean art instruments and musical instruments. which has the potential as a starting point in contextual mathematics learning.
民族数学:探索萨萨克部落表演艺术中的数学和文化价值
根据现有的历史,波斯艺术从13世纪开始发展,最初是在长时间的干旱季节导致饥荒时祈求雨水的仪式。波斯艺术表演目前仅被用作敏捷艺术表演。Pepadu是指运动员或战士。比赛由三名裁判员领导,一名负责指挥比赛的中间裁判员(pekembar tengaq)和两名负责判定每个回合的边裁(pekembar sedi)。波斯艺术不仅以艺术的形式进行研究,而且还可以作为数学背景学习的一种形式进行研究。因此,本研究旨在探索波斯人表演艺术中包含的数学形式和文化价值,这些形式和文化价值后来可以用作情境数学学习的来源。本研究采用民族志方法进行定性研究。所使用的线人是传统人物、pepadu和文化专家,他们了解波斯语、文献和现场笔记的艺术。研究结果表明,在萨萨克人传统的波斯表演艺术中存在数学观念,即波斯艺术乐器和乐器中发现的几何形状。它有可能成为情境数学学习的起点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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