Resurrecting the ‘Spiritual Daughters’: the Houtappel Chapel and Women’s Patronage of Jesuit Building Programs in the Spanish Netherlands

S. Moran
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Abstract

On July 21 of 1640, the 100-year anniversary of the founding of the Jesuit order, a short but grand procession took place inside the Antwerp Jesuit church (Figs. 8.1, 8.2).1 Members of the community’s Marian sodality, a confraternity dedicated to the promotion of the cult of the Virgin, carried a statue of Our Lady of Scherpenheuvel (Fig. 8.3) from the church’s northern lateral chapel, where it had been kept temporarily, back to the southern chapel. The latter had been erected in c. 1620/21–1622 specifically to house this statue, and its walls had just recently been covered with panels of intricately carved, multicolored Italian marble.2 This stonework formed part of an integrated decorative scheme in which every surface was adorned with expensive materials and masterfully executed paintings and sculptures. By the middle of the seventeenth century it was arguably the finest space within an astonishingly richly appointed church,
复活的“精神女儿”:西属荷兰的胡塔佩尔教堂和妇女对耶稣会建筑项目的赞助
1640年7月21日,耶稣会成立100周年纪念日,安特卫普耶稣会教堂内举行了短暂而盛大的游行(图8.1,8.2)社区的玛丽安联谊会(一个致力于促进对圣母崇拜的联谊会)的成员将一尊暂时保存在教堂北侧小礼拜堂的圣母雕像(图8.3)搬回了南礼拜堂。后者是在1620/21-1622年建造的,专门用来安放这尊雕像,它的墙壁最近才被雕刻复杂的彩色意大利大理石面板覆盖这个石雕形成了一个整体装饰方案的一部分,其中每个表面都装饰着昂贵的材料和精湛的绘画和雕塑。到17世纪中叶,它可以说是一座富丽堂皇的教堂中最好的空间,
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