The Structure of Genji’s Career

R. Tyler
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Abstract

The hero of The Tale of Genji is famous or infamous above all as a lover and a seductive master of the courtly arts. The political aspects of his career are not as well recognized, perhaps because they are often difficult to distinguish from his love interests. One goal of this essay is to disentangle in Genji’s case political or personal advantage from erotic enterprise. A second goal is to show that Genji’s overt career follows a political (for want of a better word) trajectory that gives his story an underlying form distinct from simple acknowledgment of passing time. The main issues are the imperial succession, acquisition of decisive influence at court, and hierarchically advantageous marriage. Genji’s trajectory follows the rise of a man who comes against the odds to dominate his world, then overreaches himself and loses all that he holds most dear. Having been forced by external circumstance to favor his lackluster first son (Suzaku) publicly, the Kiritsubo Emperor does all he can to favor his brilliant second son (Genji) privately. Feeling cheated of the honor to which his gifts and his father’s favor should have destined him, Genji maneuvers successfully to overcome those who forced him into this position. Out of pride he then takes a gratuitous step that estranges him from his beloved Murasaki and, by the way, crushes his unfortunate brother. When last seen, he is only the shell of a once great man.
源氏的事业结构
《源氏物语》的主人公是著名的或臭名昭著的,首先是一个情人和一个诱人的宫廷艺术大师。他职业生涯的政治方面没有得到很好的认可,也许是因为他们往往很难与他的爱情兴趣区分开来。本文的目的之一是将源氏的政治或个人利益与情爱事业分开。第二个目标是展示源氏公开的职业生涯遵循着一种政治(因为没有更好的词)轨迹,这使他的故事具有一种不同于简单承认时间流逝的潜在形式。主要问题是皇位继承,在宫廷中获得决定性的影响力,以及等级上有利的婚姻。源氏的故事讲述了一个男人的崛起,他奋起反抗,统治了他的世界,然后超越了自己,失去了他最珍视的一切。由于外部环境迫使他公开支持他平庸的长子(Suzaku), Kiritsubo天皇尽其所能支持他聪明的次子(源氏)私下。源氏觉得自己的天赋和父亲对他的宠爱被欺骗了,他成功地克服了那些迫使他进入这个位置的人。出于骄傲,他采取了一个不必要的步骤,使他与心爱的紫崎疏远,顺便说一句,粉碎了他不幸的哥哥。最后一次见到他时,他只是一个曾经伟大的人的躯壳。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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