See yourself through these hands: The moving body as a portal to spirit possession. Working with ancient ritual technologies to create portraits of spirits, gods and mythic beings

Red K. Elders
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Abstract

My creative, somatic and spiritual praxis combines the deep somatic trance work of authentic movement with ancient ritual technologies such as those found in the 2000-year-old Greek Magical Papyri. This article describes these embodied processes in and with wild nature places to facilitate visionary states which are recorded through poetic writings, and subsequently expressed in highly detailed drawings of ancient gods and mythic beings. I explore the nature of creative inspiration, not only in my own writings and drawings but in others’ artistic endeavours, that leads me to consider whether what is present in any great work of art is an indwelling animate force; a spirit or god. Working with this question, I am compelled deeper into this intersection of movement, creativity and spirituality, and from there, my life seems to become illuminated from within. Even as we all move through increasingly difficult times, we must continue to let ourselves be danced by something greater; especially for all those who cannot. We must continually open the seams to allow the movement of some vast majesty that we may never comprehend. Then we ourselves become a living work of art. As such, our lives become a ritual offering of beauty.
透过这双手看到你自己:移动的身体是灵魂占有的入口。运用古老的仪式技术来创作神灵和神话人物的肖像
我的创造性、身体和精神实践将真实运动的深度身体恍惚工作与古老的仪式技术相结合,例如在2000年前的希腊神奇纸莎草纸上发现的技术。这篇文章描述了这些体现在野生自然环境中的过程,以促进通过诗歌作品记录的梦幻状态,并随后以古代神和神话人物的高度详细的绘画来表达。我探索创作灵感的本质,不仅在我自己的写作和绘画中,而且在别人的艺术努力中,这使我考虑是否存在于任何伟大的艺术作品中是一种内在的生命力量;神灵或神灵带着这个问题,我被迫更深地进入运动、创造力和灵性的交叉点,从那里,我的生活似乎从内部被照亮了。即使我们都在经历越来越困难的时期,我们也必须继续让自己被更伟大的东西所鼓舞;尤其是对那些做不到的人。我们必须不断地打开缝隙,让某种我们可能永远无法理解的巨大的威严运动起来。然后我们自己就变成了一件活的艺术品。正因为如此,我们的生活变成了一种献祭美丽的仪式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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