The soundscape of a funeral wake

Filippo Bonini Baraldi
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Abstract

This chapter completes the analysis and interpretation of the Roma funeral ritual. It shows how the wailing of the women and the instrumental tunes performed by the musicians arouse feelings of compassion and empathy (milă) in the participants. Each sonic element of the funeral wake is analyzed separately, relying on textual and musical transcriptions. Drawing on hypotheses coming from both anthropology and the cognitive sciences, it claims that the “icons of crying” (sobs, hiccups, strangled voice, etc.) can be related to the innate process of emotional contagion. Conversely, the enunciative strategies of a lament call for more elaborate empathy processes, because they require a level of understanding of the kinship network described. As for the instrumental music, the chapter suggests that its emotional impact is based on a combination of both the affective qualities attributed to the different genres and the associations that exist between a tune and a person.
葬礼守灵的音景
本章完成了对罗姆人丧葬仪式的分析与解读。它展示了妇女的哀号和音乐家演奏的乐器曲调如何唤起参与者的同情和同情(mili)。每个声音元素的葬礼守灵是分开分析,依靠文本和音乐转录。根据人类学和认知科学的假设,它声称“哭泣的标志”(抽泣、打嗝、哽咽等)可能与情绪感染的内在过程有关。相反,悲叹的表达策略需要更复杂的共情过程,因为它们需要对所描述的亲属网络有一定程度的理解。至于器乐,本章认为其情感影响是基于不同流派的情感品质和曲调与人之间存在的联系的结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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