The Myth of the Accidental Author

Matilda Greig
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Abstract

This chapter explores the concept of soldiers as professional authors, confronting the enduring myth of ‘accidental’ military autobiography. In their prefaces, veterans of the Peninsular War frequently confessed their astonishment at having produced long, descriptive memoirs, professing not to have the slightest literary talent nor education, nor the least authorial ambition, claims that have largely been taken at face value by historians. Using evidence from publishers’ archives, this chapter reveals the immense editing, publishing, and marketing activity that in fact underlay the facade of the simple soldier’s tale. It shows the authors of many Peninsular War memoirs to have been actively involved in the publication of their books, knowledgeable about the industry, and eager for success in the literary rather than military world, raising questions for future historians about the tension between ‘authentic’ eyewitness testimony and edited accounts.
偶然作者的神话
本章探讨了军人作为职业作家的概念,面对“偶然的”军事自传的持久神话。在他们的序言中,半岛战争的老兵经常承认,他们对自己能写出长篇的、描述性的回忆录感到惊讶,声称自己没有丝毫的文学天赋,没有受过教育,也没有丝毫的写作野心,这些说法在很大程度上被历史学家们从表面上看了。本章利用出版商档案中的证据,揭示了大量的编辑、出版和营销活动,这些活动实际上隐藏在这个简单的士兵故事的表面之下。它显示了许多半岛战争回忆录的作者积极参与他们的书的出版,对该行业的了解,渴望在文学而不是军事世界取得成功,这为未来的历史学家提出了“真实”目击者证词和编辑过的叙述之间的紧张关系的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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