A INFLUÊNCIA DA ARTE BIZANTINA NA OBRA DE CLÁUDIO PASTRO

Wilma Steagall de Tommaso
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Abstract

This paper aims to present the image of Christ Pantocrator by Claudio Pastro and the facts that contributed to develop his art, particularly in this depiction, with a strong Byzantine influence. Calling himself an artist post Council Vatican II, Pastro is a pioneer in Brazil for making the Pantocrator and has conducted more than 350 works in churches, chapels, monasteries, in his own country and abroad. To demonstrate these features, in addition to the images that will be presented, will be considered remarkable influences in the formation of the artist as well as the liturgical changes of the Council which opened the way for the artist to perform his work.
拜占庭艺术对克劳迪斯·帕斯特罗作品的影响
本文旨在呈现克劳迪奥·帕斯特罗的潘托克拉托基督的形象,以及有助于发展他的艺术的事实,特别是在这种描绘中,具有强烈的拜占庭影响。帕斯特罗自称是梵蒂冈第二次会议后的艺术家,他是巴西制作潘托克拉托的先驱,在他自己的国家和国外的教堂、小礼拜堂、修道院进行了350多件作品。为了展示这些特点,除了将展示的图像外,还将考虑对艺术家形成的显著影响以及理事会的礼仪变化,这些变化为艺术家开展工作开辟了道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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