The Hidden Self in Self-portrait

Liping Mao
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Abstract

Self-portrait is a special portrait subject matter. In the process of painting, in addition to depicting his own image, the painter also needs to explore and shape his spiritual self. From the perspective of mental activity, self-portrait is the embodiment of the artist's self-recognition, and this kind of recognition will change in form as conditions change. By observing the self-recognition of the painter in the self-portrait, it will be found that the self-portrait is the artist's record of self-observation, the evaluation of the self under the control of fate, and at the same time a channel to realize the self-recognition and mental perfection as a combination of entity and spirit.
《自画像》中隐藏的自我
自画像是一种特殊的肖像题材。在绘画的过程中,画家除了描绘自己的形象之外,还需要探索和塑造自己的精神自我。从心理活动的角度来看,自画像是艺术家自我认知的体现,这种认知会随着条件的变化而在形式上发生变化。通过观察画家在自画像中的自我认知,我们会发现,自画像是艺术家对自我观察的记录,是对命运支配下的自我的评价,同时也是实现实体与精神相结合的自我认知和精神完善的渠道。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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