Götterdämmerung

Steven C. Smith
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引用次数: 1

Abstract

The strands of Steiner’s life emphasized in earlier chapters—his yearning for commercial success, his growing debts, and his emotional neglect of his son—reach their fulcrum here in ways both triumphant and tragic. After an anxious year of unemployment, Steiner found a sympathetic partner in director Delmer Daves. Daves’s 1959 film of a racy bestseller, A Summer Place, inspired 71-year-old Max to write a pastiche of dreamy ’50s rock ballads. Steiner had no commercial expectations for the tune, but a recording of the theme rose to Number One on the charts, won a Grammy (beating Elvis and Sinatra), and became the best-selling instrumental of the rock ’n’ roll era. Almost simultaneously, Steiner won his decades-long battle with ASCAP, which agreed to collect royalties on film music. Max would soon receive millions. But in 1962, Steiner received shattering news from which he’d never fully recover: his 22-year-old son, Ronald, had committed suicide.
斯坦纳在前几章强调的生活线索——他对商业成功的渴望,他不断增长的债务,以及他对儿子的情感忽视——在这里以胜利和悲剧的方式达到了支点。在经历了焦虑的失业一年之后,斯坦纳找到了一位富有同情心的合作伙伴——导演德尔默·戴维斯。戴维斯1959年改编自一部情色畅销书《夏日乐园》的电影,激发了71岁的马克斯创作了一首模仿50年代梦幻摇滚民谣的歌曲。斯坦纳对这首曲子并没有什么商业上的期望,但这首曲子的录音却登上了排行榜的榜首,赢得了格莱美奖(击败了埃尔维斯和辛纳特拉),并成为摇滚时代最畅销的器乐。几乎与此同时,斯坦纳赢得了与ASCAP长达数十年的斗争,后者同意收取电影音乐的版税。马克斯很快就会得到数百万美元。但在1962年,斯坦纳收到了令人震惊的消息,他再也没有完全恢复过来:他22岁的儿子罗纳德自杀了。
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