Chaos Rainbows

W. T. Schultz
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Abstract

Chapter 4 provides an examination of the common states of mind arising out of openness, including schizotypy, reduced latent inhibition, and cognitive disinhibition. The chapter reconstructs a frame of mind artists themselves have a hard time describing. From there, questions center on the shaping, the organizing, and the ordering involved in art-making. Most of the chapter is dedicated to chaos and its roots in personality. But chaos alone isn’t enough. Creativity is making something. Chaos is a means to that end, the making. How the artist uses chaos is just as important as finding ways to stay open to it. Numerous artists are used as illustrations, including Bob Dylan, Jack Kerouac, Jerry Seinfeld, Steve Jobs, and Joni Mitchell. A four-step model for how raw materials get shaped into art is also presented.
混乱的彩虹
第四章提供了对开放所产生的常见心理状态的考察,包括精神分裂、潜在抑制减少和认知去抑制。这一章重构了艺术家们自己都难以描述的心境。从那里开始,问题集中在艺术创作中涉及的塑造、组织和排序。这一章的大部分内容都是关于混乱及其人格根源的。但仅仅混乱是不够的。创造力就是创造。混乱是达到这个目的的一种手段。艺术家如何利用混乱与找到对混乱保持开放的方法同样重要。许多艺术家被用作插图,包括鲍勃·迪伦、杰克·凯鲁亚克、杰瑞·宋飞、史蒂夫·乔布斯和乔尼·米切尔。文章还介绍了原材料如何被塑造成艺术品的四步模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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