Multispectral Direct-Global Separation of Dynamic Scenes

M. Torii, Takahiro Okabe, Toshiyuki Amano
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引用次数: 4

Abstract

In this paper, we propose a method for separating direct and global components of a dynamic scene per illumination color by using a projector-camera system; it exploits both the color switch and the temporal dithering of a DLP projector. Our proposed method is easy-to-implement because it does not require any self-built equipment and temporal synchronization between a projector and a camera. In addition, our method automatically calibrates the projector-camera correspondence in a dynamic scene on the basis of the consistency in pixel intensities, and optimizes the projection pattern on the basis of noise propagation analysis. We implemented the prototype setup and achieved multispectral direct-global separation of dynamic scenes in 60 Hz. Furthermore, we demonstrated that our method is effective for applications such as image-based material editing and multispectral relighting of dynamic scenes where wavelength-dependent phenomena such as fluorescence are observed.
动态场景多光谱直接全局分离
在本文中,我们提出了一种使用投影-摄像机系统分离每个照明颜色的动态场景的直接和全局分量的方法;它利用了DLP投影仪的颜色开关和时间抖动。我们提出的方法易于实现,因为它不需要任何自建设备和投影仪和摄像机之间的时间同步。此外,该方法基于像素强度的一致性自动校准动态场景中的投影机-摄像机对应关系,并基于噪声传播分析优化投影模式。我们实现了原型设置,并实现了60 Hz动态场景的多光谱直接全局分离。此外,我们证明了我们的方法对于基于图像的材料编辑和动态场景的多光谱重照明等应用是有效的,其中可以观察到波长相关现象(如荧光)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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