IMPLICATIONS OF COMMODIFIED PARWA SHADOW PUPPET PERFORMANCE FOR TOURISM IN UBUD, BALI

G. Pradana
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引用次数: 43

Abstract

The purpose of this article is to examine the phenomenon of Balinese shadow puppet performances as a tourism entertainment spectacle in Ubud, Bali. Basically, the Parwa shadow puppet shows as Balinese shadow puppets are stag for the purposes of traditional ceremonies with long duration. In contrast to the type of Parwa shadow puppet show in Ubud is stag for tourism, only it's stag with a shorter duration. This phenomenon certainly raises a big question about the implications of stag such performances for tourism.This article is prepared to use qualitative research methods. All data were obtained through literature study, interview and observation. After all data is obtained, it is analyzed by using the perspective of cultural studies.The results show that the commodification of Parwa shadow puppet shows for tourism has economic, social and cultural implications. Economically, the commodification of the Parwa shadow puppet show for tourism has already had implications for a change in instrumental value, adding profit to cottage owners and retailers. Socially, the commodity has implications in the popularity as well as the identity of shadows puppet group. Culturally has implications for the preservation of cultural identity in the context of tourism, mediation of cultural promotion to tourists, cultural degradation of puppets and the difficulty of enculturation.
商品化帕尔瓦皮影表演对巴厘岛乌布旅游的影响
本文的目的是考察巴厘岛乌布皮影表演作为旅游娱乐奇观的现象。基本上,帕尔瓦皮影戏作为巴厘岛皮影戏是为传统仪式而进行的,持续时间很长。与乌布的帕尔瓦皮影戏不同,乌布的皮影戏是观光的,只是持续时间较短。这种现象无疑提出了一个关于这种表演对旅游业的影响的大问题。本文准备采用定性研究方法。所有资料均通过文献研究法、访谈法和观察法获得。在获得所有数据后,使用文化研究的视角进行分析。研究结果表明,帕瓦皮影戏商品化旅游具有经济、社会和文化意义。从经济上讲,帕尔瓦皮影戏的商品化已经对工具价值的变化产生了影响,为小屋主人和零售商增加了利润。在社会上,这一商品对影子木偶群体的知名度和身份都有影响。文化对旅游背景下的文化身份保护、对游客的文化促进、木偶的文化退化和文化适应困难具有影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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