THE GOLDEN DISH AND FISH LAUGH. AN ESSAY IN SEMANTIC ANALYSIS OF MOTIFS

S. Neklyudov
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Abstract

The article describes the semantics of the motif, its internal structure, textual manifestations and distribution, as well as the ‘network’ of intermotif connections. The analysis focuses on several plot types, variously correlated: Prophetic / Untold dream / Animal language (AaTh 671 E*; 725; 517, 670, 672, 672D*, 673, 781; Mot. M312.2 sq.; D217; M312.0.2), The Taming of the Bride (AaTh 519, cf. 516), Victory of the Weak (AaTh 480C*, 565, 613, 735A, 930, 1535; SUS -813A**; Berezk., K27nn, K88) and on some other stories associated with these ones. The motifs that are included in this group usually have a binary or ternary structure. The elements of such structure are dispersed through the tale; they are separated by narrative fragments that are filled with other events and adventures. The performed analysis makes it possible to systematize motifs and their structural elements as follows: 1) minimal meaningful (but not meaning-forming) differential features of plot composites (semes of ‘narrative grammar’), which are not further divided at the plot level; 2) ‘simple’ motifs; they can be considered as a set of semes, which, thanks to the connections established between them, acquire meaning-forming functions and structure the motif as a kind of narrative semanteme; 3) ‘complex’ motifs that have a binary or ternary structure, the elements of which are dispersed throughout the tale text (however, the boundary between ‘simple’ and ‘complex’ motifs is rather arbitrary). The structure of a motif is adequately characterized as a frame, the slots of which, determined by their facet values, can be filled with both semes (in ‘simple’ motifs, but not only in them) and semanthemes (in complex motifs). Thus, inter-motif connections turn out to be either hierarchical (a motif embedded in a motif, a ‘nested doll’ principle), or networked (the same semes fill the slots of different motifs, linking these motifs through ‘semantic channels’; the latter has far-reaching consequences for the generative mechanisms of the tradition). Finally, it is expedient to consider slots that contain the ‘programs’ themselves, according to which logical relationships are established between the components of the motif, as slots designed for special ‘procedural’ (rather than ‘substantial’) filling.
金盘和鱼笑。论母题的语义分析
文章描述了母题的语义、母题的内部结构、语篇表现和分布,以及母题相互联系的“网络”。分析的重点是几种情节类型,各种相关:预言/未知的梦/动物语言(AaTh 671 E*;725;517,670, 672, 672d *, 673, 781;非常贴切。M312.2平方。D217;《新娘的驯服》(AaTh 519, cf. 516),《弱者的胜利》(AaTh 480C*, 565, 613, 735A, 930,1535;SUS -813 * *;Berezk。(K27nn, K88)以及与这些故事相关的其他一些故事。包含在这一组中的基元通常具有二元或三元结构。这种结构的元素分散在整个故事中;它们被充满其他事件和冒险的叙事片段分开。通过分析,可以将母题及其结构元素系统化如下:1)情节组合物(“叙事语法”的语素)的最小意义(但不是意义形成)差异特征,这些特征在情节层面上没有进一步划分;2)“简单”的主题;它们可以看作是一组义素,由于它们之间建立的联系,这些义素获得了意义形成的功能,并将母题构成一种叙事语义;3)具有二元或三元结构的“复杂”母题,其元素分散在整个故事文本中(然而,“简单”和“复杂”母题之间的界限相当随意)。母题的结构被充分地描述为一个框架,其槽由其面值决定,可以被两个符号(在“简单”母题中,但不仅是在它们中)和语义主题(在复杂的母题中)填充。因此,母题之间的联系要么是层次化的(一个母题嵌入另一个母题,“嵌套娃娃”原则),要么是网络化的(相同的母题填补了不同母题的空缺,通过“语义通道”将这些母题联系起来;后者对传统的生成机制有着深远的影响)。最后,考虑包含“程序”本身的插槽是有利的,根据它们在主题组件之间建立的逻辑关系,插槽是为特殊的“程序”(而不是“实质”)填充而设计的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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