Death and the Search for Heideggerian Authenticity in No Country for Old Men

G. Phipps
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引用次数: 1

Abstract

abstract:This article explores intersections between Martin Heidegger’s existentialist theories of death and authenticity and Cormac McCarthy’s No Country for Old Men. Scholars have located existentialist strains in McCarthy’s literature, but this article offers a new reading of Anton Chigurh’s role as an embodiment of both death and the search for authentic existence. Working against the critical consensus that Chigurh’s dialogues with his victims are grounded on a desire to provoke them to a deeper understanding of their situations, I argue that Chigurh is actually trying to bring about an existentialist understanding of death for himself. In Heidegger’s Being and Time, such an understanding involves breaking free of societal views that treat death as a threat consigned to a distant future and embracing mortality as a possibility that is at once certain, indefinite, and intrinsic to one’s existence.
《老无所依》中死亡与海德格尔真实性的探寻
本文探讨了海德格尔关于死亡和本真的存在主义理论与科马克·麦卡锡的《老无所依》之间的交集。学者们在麦卡锡的文学作品中找到了存在主义的痕迹,但这篇文章为安东·齐格作为死亡和寻找真实存在的化身的角色提供了一种新的解读。与齐格与受害者对话的关键共识相反,我认为齐格实际上是在试图为自己带来一种对死亡的存在主义理解,这种理解是建立在激发他们对自己处境有更深理解的愿望之上的。在海德格尔的《存在与时间》中,这样的理解包括打破将死亡视为遥远未来的威胁的社会观点,并将死亡视为一种既确定又不确定的可能性,同时也是一个人存在的内在因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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