Elementos chavinoides en textiles de Paracas y cerámicas de Nasca

Zea Books Pub Date : 1900-01-01 DOI:10.32873/unl.dc.zea.1258
Uwe Carlson
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Abstract

The Chavin culture had after the creation of its own divine image a lasting influence on all subsequent cultures of ancient Peru. The foundations of this image and its variations were particularly visible in the significant influence on the Paracas culture, which emerged at the same time and produced the most remarkable evidence of ancient Peruvian textile art. This not only regarding the specific technical textile aspects, but especially from an iconographic point of view. If the creation of a striking divine image is astonishing, it is even more remarkable that in Paracas a sequence of four different divine images is repeated in all details, which had already been shown several centuries earlier in Chavín. The divine image of Late Paracas, slightly altered, was taken over by the Early Nazca, while Late Nasca was visibly influenced by Tiahuanaco and Huari.
查文文化在创造了自己的神像之后,对古秘鲁后来的所有文化产生了持久的影响。这一形象的基础及其变化在对帕拉卡斯文化的重大影响中尤为明显,帕拉卡斯文化与此同时出现,并产生了古代秘鲁纺织艺术最显著的证据。这不仅涉及具体的纺织技术方面,而且特别是从图像的角度来看。如果说创造一个引人注目的神的形象是令人惊讶的,那么在帕拉卡斯,四个不同的神的形象的序列在所有细节上都是重复的,这已经在几个世纪前的Chavín中展示过了。晚期帕拉卡斯的神圣形象,略有改变,被早期纳斯卡所接受,而晚期纳斯卡则明显受到Tiahuanaco和Huari的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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