“An Infinite and Endless Liar”: Paroles as a Case Study of the Pragmatics of Lying in Shakespeare

Aoife Beville
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Abstract

Lying is part of our life and part of our literary canon, the choice to lie, not lie or almost lie is both a moral and linguistic one. In the present paper lying, and related concepts such as deliberate obfuscation and deceptive implicatures, will be examined from a pragmatic, specifically neo-Gricean perspective. The purpose of this study is to determine the role of deception in the process of characterisation, with a particular focus on the form and function of the mendacious language of Paroles, the “infinite and endless liar” in All’s Well That Ends Well. Following the analysis of current pragmatic definitions of lying, this article proposes a distinction between Off-Record Verbal Deception (ORVD) and prototypical lies in the analysis of textual examples, in order to understand how these strategic linguistic choices affect the construction of character.
“无穷无尽的说谎者”:以莎翁谎言语用学为例的假话分析
说谎是我们生活的一部分,也是文学经典的一部分,说谎、不说谎或几乎说谎的选择既是道德问题,也是语言问题。在本论文中,说谎和相关的概念,如故意混淆和欺骗的含义,将从语用学,特别是新希腊的角度来研究。本研究的目的是确定欺骗在人物塑造过程中的作用,特别关注Paroles(《皆大欢喜》中“无限无尽的说谎者”)的虚假语言的形式和功能。本文在分析当前对谎言的语用定义的基础上,通过对文本实例的分析,提出了非记录言语欺骗(ORVD)与原型谎言的区别,以了解这些策略语言选择是如何影响人格建构的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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