Schapp’s entanglement in stories

Nemanja Micic
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Abstract

This paper demonstrates some of the fundamental positions taken by the so-called ?philosophy of stories?, set forth by Wilhelm Schapp, in the middle of the 20th century. Our research accentuates the first Schapp?s study regarding the philosophy of stories (The Entanglement in Stories), with the aim of showcasing propinquity of such project with other disciplines and authors, as well as to draw attention to the possibility of crystallizing a hopefully potent ?narrative method?. The implementation of the aforementioned method would potentially lead to expounding the idea of the intrinsically narrative dimension of any kind of language event. Thus formulated narrative method also exhibits the fact that language incessantly produces the pure multiplicity of contingent stories. Another potential merit of this approach is the prospect of understanding language in different, more authentic terms: we would insist on putting forward its self-producing and self-effacing character, rather than persisting on the usual analyses which often emphasize the understanding of language as an ?expression of thought?, or as an ?information conveyor?.
Schapp的故事纠葛
本文论证了所谓“故事哲学”所持的一些基本立场。由威廉·沙普在20世纪中叶提出。我们的研究强调了第一个Schapp?《故事的纠缠》(the Entanglement in stories),旨在展示这一项目与其他学科和作者的相似之处,并提请人们注意形成一种有希望的强有力的“叙事方法”的可能性。上述方法的实施可能会导致对任何一种语言事件的内在叙事维度的阐述。由此形成的叙事方法也显示出语言不断地产生偶然故事的纯粹多样性。这种方法的另一个潜在优点是,可以用不同的、更真实的术语来理解语言:我们将坚持提出语言的自我产生和自我隐退的特征,而不是坚持通常的分析,这种分析往往强调将语言理解为“思想的表达”。,或者作为“信息传送带”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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