Study of Pasuruan Batik with Jawi Temple Motif by UKM Sekar Wangi Sejati Cultural Anthropology Approach

Rizki Amalia Putri
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Abstract

Studying culture is endless because each culture will change along with current development. Gradual change causes the function of culture has shift or it increases the function for people. A culture that has shift in function aspect is object of Jawi Temple from Pasuruan. Jawi Temple is a tourist destination. It was a part of Singhasari Kingdom. At that time, the function of the Temple was to worship then became the place for Shinghasari King’s ash. Function shift of Jawi Temple is to become tourist object and one of object for Batik motif of Pasuruan Batik that uses local wisdom object. Function shift was studied by researcher using empirical approach with data of documentation and observation. The research problems were showing form of Jawi Temple Batik (semiotics), batik motive as function to introduce culture and history and Jawi Temple batik as cultural reflection. Cultural reflection from created motif had representation of culture and history or site in Pasuruan such as Jawi Temple, ornament motif of chrysanthemum flower, podang bird, Harmoni Building and betel leaf as icons. Representation identity through batik motif can raise tourism indirectly and become introduction of knowledge through Temple motif of Batik. People also can clearly know that batik is a representation identity in Pauruan that has many cultures.  
用UKM Sekar Wangi Sejati文化人类学方法研究带有爪哇寺庙图案的Pasuruan蜡染
学习文化是无止境的,因为每一种文化都会随着时代的发展而变化。渐进式的变化使文化的功能发生了转移或增加了人们的功能。一种在功能方面发生转变的文化是爪哇寺从巴素鲁向外发展的对象。爪哇寺是一个旅游胜地。它是辛格萨里王国的一部分。当时,这座寺庙的功能是祭祀,后来成为了盛哈萨里国王骨灰的地方。爪哇寺的功能转换是成为旅游对象和利用当地智慧对象的巴素銮蜡染母纹的对象之一。本文采用文献资料和观察资料相结合的实证方法对功能转移进行了研究。研究问题有:表现爪哇寺蜡染的形式(符号学)、蜡染动机作为介绍文化和历史的功能、爪哇寺蜡染作为文化反思。从创作的图案中进行文化反思,以爪哇寺为代表,以菊花、豆当鸟、和乐楼、槟榔叶为标志的装饰图案。通过蜡染母题的表征认同可以间接带动旅游,并通过蜡染寺母题成为知识的介绍。人们也可以清楚地知道,蜡染在多文化并存的保鲁安是一种代表身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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