Social constructs of online feminine identities in social media: A thematic analysis

Emma Wickens, Melanie Haughton
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Abstract

It has been argued that femininity is a form of control over women’s identity, and that femininity is predominantly performative. This research examines the performative nature of femininity in Instagram posts, based on the idea that social media is a means through which young women negotiate and perform their feminine identity. Self-presentation theories suggest that female social media users perform aspects of self-presentation as influenced by the audience, the situation, and implicit social constructs of gender. This study used Reflexive Thematic analysis of semi-structured interviews with ten women Instagram users aged between 18 – 27, who post regularly to Instagram. The focus was on exploring the participant’s detailed accounts of how they manage their online identity and self-presentation of femininity on Instagram. Emerging themes emphasised the performative aspects of self-presentation, such as self-surveillance and self-monitoring and impression management in relation to online social situations. Findings highlight the significant, influential aspect the audience plays in performative femininity as well as the importance of Goffman’s (1959) dramaturgical theory of self-presentation and Walkerdine’s (1989) concept of femininity as a performance. The study raises important questions about the presentation and performative elements of femininity on Instagram and how femininity is still a form of hegemonic control over women.
社交媒体中网络女性身份的社会建构:专题分析
有人认为,女性气质是对女性身份的一种控制,而女性气质主要是表现性的。这项研究考察了Instagram帖子中女性气质的表现本质,基于社交媒体是年轻女性谈判和表现女性身份的一种手段。自我呈现理论认为,女性社交媒体用户的自我呈现受到受众、情境和性别的内隐社会建构的影响。这项研究对10名年龄在18 - 27岁之间、经常在Instagram上发帖的女性Instagram用户进行了半结构化访谈,并使用了反身性主题分析。重点是探索参与者如何管理自己的在线身份和在Instagram上自我展示女性气质的详细描述。新兴主题强调自我表现的表现方面,如与在线社交情境相关的自我监督、自我监控和印象管理。研究结果强调了观众在表演女性气质中扮演的重要而有影响力的方面,以及戈夫曼(1959)的自我呈现戏剧理论和沃克丁(1989)的女性气质作为表演概念的重要性。这项研究提出了一些重要的问题,比如女性气质在Instagram上的表现和表现元素,以及女性气质如何仍然是一种对女性的霸权控制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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