Food Imagery in Lesley Saunders’ Poetry

C. Mihăilescu, Stela Pleša
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Abstract

Abstract The essay entitled “Food Imagery in Lesley Saunders’ Poetry” expands upon various food issues that will be approached via Gaston Bachelard’s aesthetic theory which situates us in the proximity of a sensible point of objectivity further enlarged upon from a phenomenological perspective that merges the exterior substantiality of food with the reality of imagination. The acquired intimate connotations of the poetess’ food environment are tackled in terms of the inner/outer opposition and the Platonic dialectics that involves old versus new, good versus evil, plenty versus scarcity, revealing the dynamic virtues of “roots,” the emblem of the diversity of food. Our approach to the house, where various types of food are being prepared, in relation to its pivotal functions of dwelling, preparing food and sharing it, turns both the house and food into the unfailing communality and sociality constructs of all places and ages.
莱斯利·桑德斯诗歌中的食物意象
本文以“莱斯利·桑德斯诗歌中的食物意象”为题,通过加斯顿·巴舍拉的美学理论,扩展了各种各样的食物问题,这些问题将通过加斯顿·巴舍拉的美学理论来解决,该理论将我们置于一个客观的感性点附近,从现象学的角度进一步扩大,将食物的外部实体与想象的现实相结合。通过内外对立和新旧、善与恶、富足与匮乏的柏拉图式辩证法,揭示了作为食物多样性象征的“根”的动态美德,来处理女诗人所获得的食物环境的亲密内涵。我们对房子的处理方法是,在这里准备各种各样的食物,与它的居住、准备食物和分享食物的关键功能有关,把房子和食物都变成了所有地方和年龄的永恒的社区和社会结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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