Das Parlament der Dinge: Transmateriale und transmediale Dynamiken, Bild-Ding-Relationen und „Meta-Artefakt-Malerei“

V. Schulz
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Abstract

Studies related to artifacts, to what has been traditionally categorized as ‘high’ and ‘minor’ or ‘applied arts’, and to the materiality of art in recent years have been among the core foci of art history. More scholarly attention has also been given to the intersections between visual and material culture, not least in transcultural contexts. This paper seeks to contribute to these issues. Investigating transmaterial and transmedial dynamics between the arts, image-object interrelations as well as phenomena wherein images themselves gave the impulse to the creation of artifacts, the paper analyzes transfer processes transgressing various media and materials, 15th- and 16th-century Italian and Portuguese paintings in their Mediterranean and global entanglements, as well as 19th - and 20th-century artistic and academic approaches to objects in paintings. 
海盗王大会全体会议:翻转物质和变性动态,影像相关,以及“超艺术品绘画”
近年来,与文物相关的研究,传统上被归类为“高级”和“次要”或“应用艺术”,以及艺术的物质性,一直是艺术史的核心焦点之一。更多的学术关注也给予了视觉文化和物质文化之间的交集,尤其是在跨文化背景下。本文试图对这些问题作出贡献。研究艺术之间的跨物质和跨媒介动态,图像与物体之间的相互关系,以及图像本身对人工制品创作产生冲动的现象,本文分析了跨越各种媒介和材料的转移过程,15世纪和16世纪意大利和葡萄牙绘画在地中海和全球的纠缠,以及19世纪和20世纪的艺术和学术方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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