Conclusions and Openings

S. T. Seeman
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Abstract

A musical collage based on Roman song lyrics provides the framework to explore the relationship between Turkish Roman musical practices, social representation and political agency. This chapter recaps the author’s argument regarding the symbolic power of iconicity, metaphoricity, and mimesis for providing alternative possibilities, and thus empower marginalized communities. Musical innovations at the time of publication demonstrate that musicians continue to forge responsive expressions of Roman belonging through metaphoric layering that retain older elements discussed in this book with new technologies and styles. Ethnomusicological and historiographic analyses of Turkish Roman expressions reveal that forms and practices of social identities are as much relational as they are grounded in each community’s unique matrices of collective experiences. In the current era of rising nationalist politics in which Romani groups are increasingly targeted, this chapter ends with a meditation on the promises and limits of cultural expression to challenge social and political inequities.
结论和开场白
以罗马歌词为基础的音乐拼贴为探索土耳其罗马音乐实践,社会代表性和政治代理之间的关系提供了框架。本章概述了作者关于象似性、隐喻性和拟态提供替代可能性的象征力量的论点,从而赋予边缘化社区权力。出版时的音乐创新表明,音乐家们继续通过隐喻的分层,保留了本书中讨论的旧元素,用新的技术和风格,来塑造罗马归属感的反应性表达。对土耳其罗马表达的民族音乐学和史学分析表明,社会身份的形式和实践是相互关联的,因为它们植根于每个社区独特的集体经验矩阵。在当前民族主义政治兴起的时代,罗姆人群体日益成为攻击目标,本章以对文化表达挑战社会和政治不平等的承诺和限制的思考结束。
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