Sucker

Steven C. Smith
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引用次数: 0

Abstract

Today, the performance of film music is a staple of symphony concert programming. In 1943, it was an anomaly. That year, Steiner was invited to conduct the New York Philharmonic for a potential audience of twenty thousand at Lewisohn Stadium. But for Max, the concert proved a humiliating disaster, due to the orchestra’s open hostility toward a “Hollywood” composer, and the addition to the program of 27-year-old Frank Sinatra. More teen idol than respected singer at the time, Sinatra inspired Beatles-like screaming from his fans throughout the concert, upstaging Steiner. A series of personal calamities followed: the death of Max’s beloved father, a health crisis of his own, and seemingly insurmountable debt. Again, music was Steiner’s salvation. The 1944 film Since You Went Away—his last collaboration with Selznick—earned Max a third Oscar. But shortly after its release, Steiner was devastated by news that Louise wanted a divorce.
抽油
今天,电影音乐的表演是交响音乐会节目的主要内容。在1943年,这是一个反常现象。那一年,斯坦纳受邀在路易斯松体育场指挥纽约爱乐乐团,听众可能有2万人。但对马克斯来说,这场音乐会被证明是一场耻辱的灾难,因为乐团公开敌视一位“好莱坞”作曲家,而且27岁的弗兰克·辛纳屈(Frank Sinatra)也加入了演出。在当时,辛纳屈与其说是受人尊敬的歌手,不如说是青少年偶像。在整个演唱会上,辛纳屈激发了歌迷们像披头士一样的尖叫,抢了施泰纳的风头。接下来是一系列的个人灾难:马克斯深爱的父亲去世,他自己的健康危机,以及似乎无法克服的债务。音乐再次拯救了施泰纳。1944年的电影《自从你离开》是他与塞尔兹尼克的最后一次合作,为麦克斯赢得了第三座奥斯卡。但在影片上映后不久,斯坦纳就被路易丝想要离婚的消息震惊了。
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