“Pushin’ It”

Johanna Love
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引用次数: 1

Abstract

Formative scholarship on musical appropriation has tended to focus on how dominant groups borrow subaltern signifiers to elevate their hipness. However, in contemporary American advertising campaigns, marketers often deploy humorous devices that place stereotyped signifiers of distinctive groups in opposition to one another to magnify their perceived differences and create comedy for the spot. This chapter investigates this practice by examining a 2014 Geico insurance commercial that features the pioneering female hip-hop crew Salt-N-Pepa performing their 1988 hit “Push It.” The commercial aims for humor by re-envisioning the trio’s suggestive music video as a means for cheering suburbanites through mundane tasks. But the incongruence of old-school hip-hop sounds and imagery against those of the modern-day, white-washed lifestyles onscreen reveals a more obvious message: The urban, Black trio and their one-time hit song about female sexual empowerment do not belong there. Musicological inquiry is thus paired here with cultural studies of hip-hop, hipness, advertising, and humor to reveal the process by which signifiers of Salt-N-Pepa’s iconicity are placed in opposition to the pictured residents in ways that reaffirm hierarchies of race, gender, and class.
关于音乐挪用的形成性学术倾向于关注主导群体如何借用次等的能指来提升他们的时尚。然而,在当代美国的广告活动中,营销人员经常使用幽默的手段,将不同群体的刻板的能指相互对立,以放大他们感知到的差异,并为现场创造喜剧。本章通过分析2014年Geico保险公司的一则广告来调查这种做法,该广告的特点是开创性的女性嘻哈乐队Salt-N-Pepa表演了1988年的热门歌曲“Push It”。该广告旨在通过重新设想三人组的暗示性音乐视频,将其作为一种通过平凡的任务为郊区居民欢呼的手段,从而达到幽默的目的。但是,老派嘻哈音乐的声音和形象与屏幕上现代的、被白人洗白的生活方式的不一致,揭示了一个更明显的信息:这个城市黑人三重奏和他们关于女性性赋权的曾经的热门歌曲不属于那里。因此,音乐学研究在这里与嘻哈、时髦、广告和幽默的文化研究相结合,揭示了Salt-N-Pepa的标志性符号以重申种族、性别和阶级等级的方式与照片中的居民相对立的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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