Stylistics of Grammatical Structures: The Presence of Verbs and their Temporal Connotations in the Poetry Book "Fragments of a Woman" by Soaud Al-Sabah as a Model

Nassim Assadi, Khalid Abu Ras
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Abstract

In this article, we focused on the presence of verbs and nouns in Su‘ād al-Ṣabāḥ Fatāfīt Imraʼa (Fragments of a Woman), and on the significance of tense verbs as a section of grammatical structures, which in turn are considered part of the structural methods. Fatāfīt Imraʼa, with most of its poems, is a revolutionary work for its rejection of the humiliating reality, and social postulates that made the man dominant in his relationship with women. Since the revolution is based on changing the existing reality, and change is associated with actions (verbs), rather than nouns that indicate stability and consistency. We found that most of the revolutionary poems have a notably high ratio of verbs to nouns compared to those in which the persona feels emotional, social or patriotic satisfaction. About the significance of tense verbs, we found that the poems in which the past tense predominates depict a steady state that does not change or that it depicts a state that was intended to be attached and entrenched in the minds of the readers to influencing them, while the present tense was in most of the poems that depicted continual states. The style of speech that Al-Sabah followed in many of her poems contributed to the use of imperative verbs, but in a different way. When the persona was optimistic about the change and renewal that the future would bring, to move to a better situation, the presence of imperative verbs increased, and when she did not hope for anything from the future, it was less or completely gone.
语法结构的文体学:以苏aud Al-Sabah诗集《一个女人的片段》为例看动词的存在及其时间内涵
在这篇文章中,我们关注了Su ' ād al-Ṣabāḥ Fatāfīt Imra ' a(一个女人的片段)中动词和名词的存在,以及时态动词作为语法结构的一部分的重要性,而时态动词反过来又被认为是结构方法的一部分。Fatāfīt Imra ' a和它的大部分诗歌,是一部革命性的作品,因为它拒绝了羞辱的现实,以及使男人在与女人的关系中占主导地位的社会假设。因为革命的基础是改变现有的现实,而改变是与行动(动词)联系在一起的,而不是与表示稳定性和一致性的名词联系在一起的。我们发现,与人物在情感、社会或爱国方面感到满足的诗歌相比,大多数革命诗歌的动词与名词的比例明显较高。关于时态动词的意义,我们发现,过去时占主导地位的诗歌描绘了一种稳定的状态,这种状态不会改变,或者它描绘了一种旨在依附和根深蒂固的状态,以影响读者,而现在时在大多数诗歌中描绘了持续状态。萨巴赫在她的许多诗歌中所遵循的说话风格有助于祈使句动词的使用,但以不同的方式。当角色对未来会带来的变化和更新持乐观态度时,为了走向更好的境地,祈使动词的出现增加了,当她对未来不抱任何希望时,祈使动词的出现就会减少或完全消失。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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