ADA: analog interactive installation

Karina Smigla-Bobinski
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Abstract

ADA a self-forming artwork, participants animated under destruction sculpture, a post-industrial "creature", resembling a molecular hybrid from nanobiotechnology. ADA is filled with helium, floating freely in room; she is a membrane-like globe, spiked with charcoals that leave marks on the walls, ceilings and floors. However hard the participant tries to control ADA, to drive her, he would notice very soon, that ADA is an independent performer. It is a movement experienced visually, which like a computer makes an unforeseeable output after entering a command.
ADA:模拟交互安装
ADA是一个自我形成的艺术作品,参与者在破坏下动画雕塑,一个后工业的“生物”,类似于纳米生物技术的分子杂交。ADA充满氦气,在室内自由漂浮;她是一个膜状的球体,上面插满了木炭,在墙壁、天花板和地板上留下了痕迹。无论参与者如何努力控制ADA,驱使她,他很快就会注意到ADA是一个独立的表演者。它是一种视觉体验的运动,就像计算机在输入命令后产生不可预见的输出一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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