A Study on the Conceptual Learning of Gugak in Elementary Schools by Curriculum Revision Period

Eun-Gyeong Jung
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Abstract

This study aims to derive implications for conceptual learning of gugak by examining teaching contents of gugak concepts of elementary school by curriculum revision period, before the revision of a new curriculum. In the music curriculum, conceptual learning was applied from the 4th curriculum period. However, it is necessary to reconsider that, by specifying an understanding of the elements common to all music as teaching contents and equating music concepts with music elements, the seven musical elements of the initial document of the curriculum were conceptualized and have been applied to the present. As gugak concepts, modes for folk music and scales for gugak were presented from the first to the fifth period, jangdan (rhythmic cycle) in the sixth period, sigimsae (musical ornaments) and forms in the seventh period, and se (accents), jangdan-styles, malbuchimsae (rhythm of the lyric) and hanbae (tempo) have been defined and used from the 2007 revision to the present. However, it is hard to know how to deepen or expand the concepts of gugak depending on learners' level or song materials. It is also necessary to consider whether the performing attributes of gugak such as vocalization, singing methods, posture, and performance forms cannot be gugak concepts.
小学国乐概念学习之课程修改期研究
本研究旨在探讨新课程修订前,各课程修订阶段的小学国乐概念教学内容对国乐概念学习的启示。在音乐课程中,概念学习从第四课程阶段开始实施。然而,需要重新考虑的是,通过将所有音乐共同的元素作为教学内容的理解,并将音乐概念与音乐元素等同起来,课程初始文件中的七个音乐元素被概念化并应用于现在。作为国乐概念,从第1期到第5期提出了民乐调式和国乐音阶,从第6期提出了长短(节奏循环),从第7期提出了曲式(音乐装饰)和形式,从2007年修订版开始定义了重音、长短风格、抒情节奏、节奏等。然而,很难知道如何根据学习者的水平或歌曲材料来加深或扩展国乐的概念。此外,还需要考虑发声、唱法、姿势、表演形式等国乐的表演属性是否不能成为国乐概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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