SATIRICAL HUMOR AS CRITICS OF GOVERNMENT THROUGH EASTERN INDONESIAN STAND-UP COMEDIAN

L. Sihombing
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Abstract

In Indonesia, Stand-up Comedy has become the most popular form of community entertainment, resulting in the emergence of influential youth culture. Stand-up Comedy has become a platform for comics to communicate political aspirations, worries, and criticisms. Three comics from Eastern Indonesia, Arie Kriting, Abdur, and Mamat Alkatiri, have continuously presented Stand-up Comedy material regarding socioeconomic disparity and the availability of public services in their native region. In addition to the aforementioned concerns, education, emancipation, economic, and technological issues are common discussion topics. Typically, Eastern Indonesian comic elements communicate criticisms and worries about inequality and underdevelopment. Due to the presence of some Comics from East Indonesia who regularly expressed and voiced the unrest and backwardness felt by the people of East Indonesia, this issue became popular and garnered widespread attention. This qualitative study analyzes the utilization of satire in stand-up comedy content. This study utilized Barbara Swovelin (2019) concept of Horatian Satire, Friedman's Menippean Satire (2019), and  Van Dijk's Critical Discourse Analysis approach. As a result of this study, Eastern comics used sarcasm and humorto express their dissatisfaction with the government.
讽刺幽默通过印尼东部的喜剧演员批评政府
在印度尼西亚,单口喜剧已经成为最受欢迎的社区娱乐形式,从而产生了有影响力的青年文化。单口喜剧已经成为喜剧演员交流政治愿望、担忧和批评的平台。来自印尼东部的三名喜剧演员Arie Kriting、Abdur和Mamat Alkatiri不断呈现有关其家乡社会经济差距和公共服务可用性的单口相声材料。除了上述问题外,教育、解放、经济和技术问题也是共同讨论的话题。通常,东印尼的喜剧元素会传达对不平等和不发达的批评和担忧。由于一些来自东印尼的漫画经常表达和表达东印尼人民所感受到的动荡和落后,这个问题变得流行起来,引起了广泛的关注。本定性研究分析了讽刺在单口喜剧内容中的运用。本研究采用了Barbara Swovelin(2019)的Horatian讽刺概念,Friedman的Menippean讽刺(2019)和Van Dijk的批评话语分析方法。由于这项研究,东方漫画用讽刺和幽默来表达他们对政府的不满。
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