Art of the Effigy

Nandan Rosario
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Abstract

The Gujarat wing of the BJP, the Ruling Party of India, created controversy on the 19th of February with the publication of a cartoon on its Twitter handle. This cartoon depicting the hanging of a group of Muslim men was read, by the Indian media, in the context of the Gujarat wing's alleged complicity in orchestrating riots that left more than 700 Muslims dead. This article argues that the cartoon was neither a joke nor an insensitive reminder nor provocation. Instead, the cartoon should be read as prophetic, but prophetic in the particular sense of the BJP’s political messaging. The cartoon is prophetic in that its visual distortions create a future which action can transfer from hyperbole to reality. This call to action creates a self-fulfilling prophecy that both the people and the state strive towards. This reading of the cartoon as prophetic reveals the accessory mechanisms of the visual media and the support given by the digital circulation of the cartoon on Twitter to the threat depicted.   
雕像的艺术
2月19日,印度执政党印度人民党(BJP)的古吉拉特邦分支在其Twitter账户上发布了一幅漫画,引发了争议。印度媒体读到这幅描绘一群穆斯林男子被绞死的漫画时,是在古吉拉特邦右翼被指控参与策划骚乱、导致700多名穆斯林死亡的背景下进行的。这篇文章认为,这幅漫画既不是一个笑话,也不是一个麻木不仁的提醒,也不是挑衅。相反,这幅漫画应该被解读为预言性的,但在人民党政治信息的特殊意义上是预言性的。这幅漫画是预言性的,因为它的视觉扭曲创造了一个未来,而行动可以从夸张变成现实。这一行动呼吁创造了一个自我实现的预言,人民和国家都在努力实现这一预言。这种将漫画视为预言的解读揭示了视觉媒体的辅助机制,以及Twitter上漫画的数字流通对所描绘的威胁的支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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