Learning and Remembering Musical Works

R. Woody
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Abstract

Learning pre-existing pieces of music is a very common learning goal, both among vernacular musicians, who learn from recordings, and among those who are formally educated and work from published sheet music provided by a teacher. Whether learning a piece by ear or from notation, the processes of memory involved are very similar. Because the learning of musical works is often a precursor to additional kinds of music making and performance skills, it is important for musicians to understand how human memory works. This chapter explains the processes involved in learning and remembering pieces of music. It describes the various stages and components of memory from the information processing perspective that is common in cognitive psychology. More specifically, the chapter explains how ear musicianship is foundational to other performance skills, including those that use notation. It also shows that the ability to learn and remember musical works can be improved through experience and deliberate practice.
学习和记忆音乐作品
学习已有的音乐作品是一个非常普遍的学习目标,无论是从录音中学习的本土音乐家,还是那些接受过正规教育并从老师提供的出版乐谱中学习的人。无论是听还是记,所涉及的记忆过程都非常相似。因为学习音乐作品通常是学习其他类型的音乐创作和表演技能的先驱,所以对音乐家来说,了解人类记忆的工作原理是很重要的。这一章解释了学习和记忆音乐片段的过程。它从认知心理学中常见的信息加工角度描述了记忆的各个阶段和组成部分。更具体地说,这一章解释了耳朵音乐是如何成为其他表演技巧的基础,包括那些使用符号的技巧。它还表明,学习和记忆音乐作品的能力可以通过经验和刻意练习来提高。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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