Arranging for School Jazz Ensembles

Matthew Clauhs
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Abstract

School music teachers have a unique opportunity to cultivate creativity, yet teachers often report spending little time on composing, improvising, and arranging music. This chapter demystifies the process of writing for a school jazz ensemble so that arranging becomes a part of the culture in a school music program. Jazz arranging in a school setting can foster an intrinsic desire among students to create music, allow for a variety of instrumentation best suited for the school, accommodate nontraditional learners, differentiate for the strengths and weaknesses of the ensemble, allow the teacher to assess knowledge through performance-based activities, and increase the school’s library of repertoire without breaking the budget. This chapter explores (a) considerations before arranging, (b) writing for rhythm sections, (c) writing for winds, and (d) basic harmonization techniques.
安排学校爵士乐团
学校音乐教师有一个独特的机会来培养创造力,但教师们经常报告说,他们在作曲、即兴创作和编曲上花的时间很少。本章揭开了为学校爵士乐团写作的神秘面纱,使编曲成为学校音乐节目文化的一部分。在学校环境中进行爵士编曲可以培养学生创作音乐的内在愿望,允许各种最适合学校的乐器,容纳非传统学习者,区分合奏的优缺点,允许教师通过基于表演的活动评估知识,并在不超出预算的情况下增加学校的曲目库。本章探讨了(a)编曲前的考虑,(b)节奏部分的写作,(c)风的写作,以及(d)基本的和声技巧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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