An Analysis of Rohinton Mistry’s Such a Long Journey

R. Kumara Balaji, V. Vimala
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Abstract

The novel manages brilliantly to portray Indian culture and family life, setting against the backdrop of the subcontinent’s volatile postcolonial politics. The microcosmic family dimension of the story line is not only played upon a political background: quite the contrary, the story shows to which degree political and personal realities are intertwined and how much the microcosm echoes the macrocosm, since the lives of the characters are deeply affected by local corruption and the government inadequacy. The novel itself is a manifestation of the Indian politics on the domestic life of Gustad Noble, thus Mistry mingles public with the private. This novel is a journey of Gustad through the path of sorrow, death, betrayal, disillusion and disappointment. Above all, Mistry’s novels are focused on community differences. Mistry has unfolded the postcolonial condition that affects the community’s identity. Apart from religious identity, historical awareness forms the collective identity of the community
论罗辛顿·米斯特里的《漫漫长路
这部小说以印度次大陆动荡的后殖民政治为背景,出色地描绘了印度文化和家庭生活。故事线的微观家庭维度不仅是在政治背景下发挥的:相反,这个故事显示了政治和个人现实在多大程度上交织在一起,微观世界与宏观世界在多大程度上相互呼应,因为人物的生活深受地方腐败和政府无能的影响。小说本身是印度政治对古斯塔德·诺布尔家庭生活的一种表现,因此,米斯特里将公共与私人混合在一起。这部小说是古斯塔德走过的悲伤、死亡、背叛、幻灭和失望之路的旅程。最重要的是,米斯特里的小说关注的是社区差异。Mistry展现了影响社区身份的后殖民状态。历史意识除了宗教认同外,还形成了社区的集体认同
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