Bristol and the First Romantics

P. Cheshire
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Abstract

Following his 1795 return to Bristol, Gilbert became part of the circle around the bookseller/publisherJoseph Cottle which included the first generation of English Romantic poets. Gilbert, as an alluring cross-pollination from a non-literary tradition, had a degree of fascination for young poets in search of new forms and new subject matter. The congenial atmosphere of poetry writing preserved in Cottle’s ‘Bristol Album’ raises the possibility that this is how Gilbert acquired the confidence to write or share his poetry. By concentrating on the group as a literary coterie, and paying more attention to its marginal figures, this chapter seeks to show how much the well-known poems of Coleridge, Wordsworth, and Southey owe to the evolving aesthetic values of the group.
布里斯托尔和第一代浪漫主义者
1795年回到布里斯托尔后,吉尔伯特成为书商兼出版商约瑟夫·科特尔(joseph Cottle)周围圈子的一员,其中包括第一代英国浪漫主义诗人。吉尔伯特,作为一个来自非文学传统的迷人的异花授粉者,对寻找新形式和新主题的年轻诗人有一定程度的吸引力。在卡托尔的《布里斯托尔专辑》中保留的诗歌创作的融洽气氛提出了这样一种可能性,即吉尔伯特是如何获得创作或分享诗歌的信心的。本章将这一群体作为一个文学小圈子,并对其边缘人物给予更多关注,试图表明柯勒律治、华兹华斯和索塞的著名诗歌在多大程度上归功于这一群体不断发展的审美价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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